Muir Trust Residency

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The Muir Trust was founded in 1997 by local artist Jane Muir, in memory of her husband, Alastair. It provides an endowment for a short residency programme to support established artists in the field of visual and applied arts as Artist in Residence at Discover Bucks Museum on a biennial basis.

2026 Residency:

We’re delighted to announce the 2026 Muir Trust Artist in Residence is Jane Charles.

Jane Charles, a textile artist based in Milton Keynes, has always been inspired by ‘place’ the places she has lived, the social history, landscape and cartography.

Since 2020, she has been exploring eco printing to give an actual point of reference to her work with leaves from a specific area. Be it in a simple walk to create a long piece of work or representing an historical place, for example: Secklow Mound, the meeting place in Central Milton Keynes where the Anglo Saxon Secklow Hundred met.

The eco printing can also be a background to other techniques: Indigo dye and batik with eco printing, fabric painting, free motion stitching and hand embroidery.

Jane is delighted to have been given this opportunity to explore the treasures from the Buckinghamshire digs and is very excited to have time to explore so many ideas already brewing in her sketchbook! The outcomes will be a blend of natural dyeing and printing techniques, illustrating with oak gall ink, exploring layers and hidden treasures. Being a textile artist Jane, is also looking forward to playing with gold work and Bayeux stitch hand embroidery techniques.

Key Dates

Muir Trust Residency
27 April – 31 May 2026

Jane Charles: Solo Exhibition
6 June – 12 July 2026

 

Highlights of past residencies 1998 – 2024:

Medieval Room by Christopher Barrett, oil on canvas, 1994  © the artist 

For the residency, Revealing Interiors, Christopher chose to take the medieval wall paintings of the county for his inspiration, including the Tudor House at the museum.

Unbound workbook by Dale Devereux Barker, printed card, 1999 © the artist

Dale worked alongside the exhibition, Picasso to Hockney, Great Prints of the Century for his printmaking residency and took inspiration from Museum objects and local history.

Glade, Boddington Hill by Peter Clayton, watercolour, 2000 © the artist

Peter’s residency coincided with a major exhibition of Victorian watercolours, The Callows’ Chilterns. Peter spent time in the Chiltern hills painting his own watercolours, as well as working in the Museum.

Black & white raku fired form by Tim Andrews, porcelain and T-material, 2002 © the artist

During his residency, Tim produced a range of sculptural pieces inspired by a varied selection of objects from the Museum collections and fired in his raku kiln in the garden. 

Lord Carrington by Eileen Hogan, watercolour, 2005  © the artist

Inspired by a major exhibition on Buckinghamshire in the Civil War,  Eileen created a portrait of Lord Carrington and explored the relationship between oral history and portraiture.

Ring by Michael Carberry, silver, 2007  © the artist

Michael’s individual and thought-provoking response to museum objects was matched by a series of highly successful jewellery workshops.

The Modern Jury by Ros Asquith, mixed media, 2009  © the artist

Inspired by the exhibition Scenes of Victorian Life and Aylesbury town itself Ros created a modern and humorous reflection of the issues and concerns of contemporary life.

Lichen by Mandy Bonnell, pencil on paper, 2011  © the artist

Mandy was inspired by the Museum’s natural history collection of lichens to create a series of twenty small concertina books, each inspired by a different lichen specimen.

Angela by Naomi Ryder, machine stitch on silk chiffon, 2013 © the artist

For her residency, Naomi was inspired by the visitors and staff at the museum to create free machine embroidered portraits of everyday life.

Long-eared owl by Lorraine Izon, ceramic, 2015  © the artist

Inspired by the Nature Detectives exhibition and Bucks wildlife in the local countryside, Lorraine created ceramic bird sculptures. Her simple yet strong forms came alive through intricate patterns and textures.

Liberty by James Fox, textile & other materials, 2017 © the artist

Inspired by the social history and art objects relating to themes of ‘Liberty’, James created a unique installation that brought together Liberty fabrics, motifs from Bucks lace and local history.

Large Totem by Katie Surridge, bronze, 2019 © the artist

Katie was inspired by items in the archaeology stores to create new artefacts derived from the negative shapes created by the original items within their packaging. She used a variety of media to create various installations.

 

 

 

 

 

 

 

 

 

 

No Plastic by Claire Willberg, relief print, 2022, 76x56cm © the artist

Claire created five one-off large relief prints inspired by the museum and its collections. The printing plates were made from recycled packaging and were then re-used to create short stop-motion animation films to accompany her exhibition.

 

 

 

 

 

 

 

Linden by Cara Gordon, collage, 2024, © the artist

Cara’s main aims of this five-week residency were to make portraits of the people in Aylesbury and to experiment with different drawing materials and processes. She described it as a fascinating project, not only as an opportunity to explore the area of portraiture but also a chance to interact with a large cross section of the public.

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